In The Focus / DIALOG2

On 26th of June in Graz, in Gallery Eugen Lendl the „Dialog 2” group exhibition was opened. Three painters of the Art Salon\Társalgó Gallery shared the exhibiton space with four austrian artists. The seething gestures of Stefan Maitz; expansive forms of Christian KRI Kammerhofer; abstract visions of Josef Wurm and the expressiveness of drawing by Michael Fanta have a word with the shadowy landscapes of Róbert Csáki; refined system of gestures by Imre Barna Balázs and the powerful colors of PAF. Dr. Márton Méhes, director of Collegium Hungaricum Wien emphasized in his opening speech, that there are energies in the space, created by the artworks effecting eachother. Truly, the halls of the gallery become a field, in which different artistic visions, styles and techniques open themselves to eachother. „Dialog 2” gives the viewer the opportunity to indite and shape the connections of the artworks. So the concept of the exhibition insures a broad playing field for the paintings, and for the visitors as well. Exciting, thought-provoking opennes of „Dialog 2” reveals, that art is a general language, which is able to blur any boundaries.

 

photo: Zsófi Máté
written by: Zsófi Máté

 

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In The Focus / DIALOG2

In spring of 2013, Art Salon\Tarsalgo Gallery’s artists debuted with great success in Vienna with the „Dialog” group exhibition. In June 2014, „Dialog II” will be settled in Gallery Eugen Lendl, in the city of Graz, Austria. The concept, just as last year, will be creating harmony of the heterogeneous material created of several artists’ artworks, so the works open themselves to each other, but they do not lose their uniqueness. Róbert Csáki, Imre Barna Balázs and PAF are excellent contemporary painters, each of them express their thoughts and feelings through painting, but with a different technique, in a different style.

Róbert Csáki’s painterly impressions are visualized by gorgeous colours and masterful compositions. On his paintings we travel into a mystical, unreal but still familiar nature. „Hommage à Caspar David Friedrich” guides us from the shady frame to the centre of the composition, so we can linger on in the bland distant lights.

Strong gestures and colours dominate the painting of PAF, which are the abstract forms of an inner world filled with vehement emotions. The sharp surfaces, stirring colours of his paintings create deep inner spaces. „Gesture Box I” is a cube, each of its sides is covered with PAF’s gestures. In this wise the pictures become spatial, and are showing the infinity and the non-enclosing, which characterize PAF’s painting.

Imre Barna Balázs seizes with amazing sensitivity the phenomenon of experience, and how the sense and the soul can shape the sensation of the world. The system of gestures on „Flux LXII” reflects the forms of nature. The intensity of colours reveals the great power of our thoughts and emotions.

The variegation of „Dialog II” will be enhanced beyond the Hungarian painters by the artists of Gallery Eugen Lendl; Michael Fanta, Christian KRI Kammerhofer, Stefan Maitz and Josef Wurm as well. Though each artwork creates an own world and aura, they can effect each other, and their dialog can vest them with stunning, new meanings. „Dialog II” will aim to represent through the connection of different artworks the open, inexhaustible, always renewable character of art.

photo: misi

written by: Zsófi Máté

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In The Focus

„Vernissage” by Róbert Csáki is ruled by an abortion. Although his shapes don’t disserve from his environment, his hooked bust, the whiteness of his shirt, and the wine glass in his hand are the most real elements of the painting’s blurred world. Not as his head on his thick neck, meaning heads, which are limbs of the same body, they are turning to us with different visages. This worrying being, if we take a closer look, really is a polite monster, who’s squint is shy, and holds his glass clumsy, with his little finger holded away from it. As if he isn’t home at the shades of the picture’s world. Vernissage is a French word, meaning the opening of an exhibition. From the title of Csáki’s artwork is clear, that this is the occasion of the figure sitting by little white table. His embarrasment is caused by the fact, that we can see him in whole, that nothing is protecting him from our staring. In this habit and situation there is a pure indication how the artist stands in front of the audience while showing them his artworks: in nudity and defencelessness.

 

photo: Mihály Borsos (misi)
written by: Zsófi Máté
Vernissage (230x200cm, oil on canvas, 2010)

 

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