In The Focus

„Garde Dame” and „Evening Rendezvous” by Róbert Csáki fold a gentle narrative, as if they were scenes following eachother in a novel. There are two women on „Garde Dame”, a well-to-do lady and her companion rolled herself up in dark linen. Wrinkles of their clothes in the strong daylight semm like as their material was paper. The women turning their back on us may have a secret, quiet chat with eachother. On „Evening Rendezvous” guarding eyes of the garde dame are not on young lady in white anymore. We meet her in the lights of the early evening again, while she’s sitting in a garden, possibly waiting for somebody. Her white dress, just as her environment is coloured by the twilight. Her face stays hidden again. But not only through the figures can we discover the similarity between the two paintings. Róbert Csáki painted silence into both picture’s atmosphere, in a different way, generating different moods. The „Garde Dame” emanates the calmness of an everyday scene, while „Evening Rendezvous” thickens the tense muteness, the lonley minutes of waiting into the picture. The variant aspects of these situations are obvious through the usage of colours and imaging of lights. Above all, on both paintings, there is a presence of an invisible person, who is observing the figures secretly, behind their backs. The real mystery smouldering in the shade of „Garde Dame” and „Evening Rendezvous” is who we think that person is…

Garde-Dame (45x35cm, oil on canvas, 2014)
Evening Rendezvous (35x30cm, oil on canvas, 2014)

photo: Mihály Borsos (misi)
written by: Zsófi Máté

 

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In The Focus / Perceptions 2. …silence……

To Art Salon\Társalgó Gallery is opening the new season with the group exhibition “Perceptions” is a tradition. This year the subject of the exhibition, which was processed by seven artists is silence. Imre Barna Balázs, Róbert Csáki, László Gyémánt, Mózes Incze, Iván Paulikovics, PAF and György Szabó all created their own variation of silence. The curators, Dr. Dóra Ocsovai and Dr. Katalin Kovács circled the question: what is the coherence between art and silence? The evident answer could be of course: painting and sculptures as objects are silent. Although in the domain of aesthetics none of the artworks are mute. But as the opening speech of Katalin Kovács highlighted, silence could be the effect, that artworks trigger. This is prevailing, as we are standing in front the arworks of the exhibition. For example the creatures on the portaits by Róbert Csáki, as they would like to say something, but they stay wordless, they fade into the peaceful background. Then PAF breaks the silence and peace of his pictures with his definite, craggy gestures. And these are just examples of the intellectual and technical variegation, which is united in the exhibition “Perception2…silence…..”

 

written by: Zsófi Máté

photo: Diana Rédai

 

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