In The Focus

“Prototype” by Mózes Incze represents a transition state, an intermediate substantial. The two sides of the figure’s body on the picture have the attributes of two different spheres. A white shirt is hanging from left shoulder, which can be understood as the symbol of life in this world, work and conventions. On the naked body’s right side, wanting to be released from the shirt, we can see a particular construction. A mechanical angelwing, which is not the organic part of the body. Despite it is an imitation, carries the opportunity of freedom and salvation. Just as the space opening behind the figure, it’s vibrant blue has the feeling, that the tanscend world is available. Mózes Incze vindicates a tense balance between the sphere of human and the shepre above human. The stern, mechanic swithes and wires, and that the figure is holdong his hand like Christ on the cross, his golden skin do not overwrite, but somehowe they supplement eachother on the picture. This is the balance of the composition, which can’t erase the mental incompatibility. It doesn’t want to. Is it possibile to exist is two different worlds at the same time, or get redemption with the help of modern technique? This is the experiment, that is performed by “Prototype” by Mózes Incze.

 

photo: misi

written by: Zsófi Máté

 

Prototipus (100x140 cm, olaj, vaszon, 2014)_eng

 

 

 

 

 

 

 

 

Prototype (100×140 cm, oil on canvas, 2014)

In The Focus

“Floors Castle – Scotland” by László Borbély is not only an image of a real building. The artist is not representing reality, he is interested in mixing of different visions, and showing them at the same time. In the way of representation is experiential, the picture is ruled by the painter’s own perspective. The primarity of personal impressions is showing up by the elements, which move the painting to idyll from reality, as the warm colors of the castle, and the bland lights. Although the real uniqueness of László Borbély’s painting is the technique he builds the picture with. “Floors Castle – Scotland” is like as we were looking through a prism to the view. The building and it’s environment becomes an unified spectacle through fusion of seperate geometrical forms. These forms are located under the structure of the building on the painting, they are actually the extension of the architectural space. That is, how “Floors Castle – Scotland” reinterprets reality, with different methods, on different levels.

 

written by: Zsófi Máté

photo: misi

 

 

Floors kastely (Skocia) (60x110 cm, olaj, vaszon, 2012)_eng

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
Floors Castle (Scotland) (60x110cm, oil on canvas, 2012)